While physics-based murder sprees might look like People Playground’s only gameplay mechanic, there’s something hidden deeper under that façade of senseless brutality. The replay value for this title is evident immediately and it’s all too easy to find yourself spending hours building crazy killing contraptions. Which translates to an infinite number of possibilities for the player to create. You’ll have laser sensors, robotic arms, rocket propulsion, atomic bombs and so much more in your arsenal. The intricate mechanics that allow you to set up increasingly complex kills are a sight to behold. If you want to test a theory such as can I stick my little guy to the fall with a sharp projectile, or perhaps how many backflips can I do in a tank, you can and that’s where this game really succeeds. There are achievements and tasks for the player to strive for but the real fun is found in experimentation. Where this game really finds it’s niche is through the fun and varied gameplay. This perhaps bumps the visuals up to mediocre but in general, it’s not enough to make this game look like anything more than a well-made flash game. The player will have access to a cavalcade of interesting things to use throughout the run and each function with smooth animations.
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The only saving grace is the variety of models, items and assets, plus the smooth animations. It serves its purpose and facilitates gameplay but aside from that, it’s presentation is very drab and disappointing. When compared to Fez or Uncanny Valley that really nail this art style, it just looks lazy and underwhelming.
It’s the lack of charm or flair that this game approaches this with. It would be easy to attack the dated and pixellated art style but that isn’t the issue. The number of ending is the squared number of subjects times 2 (maybe less, since sometimes diffrent things lead to a same ending, while some don't even matter).Visually, this game is far from impressive for a number of reasons. Do you think that saiying that trip is cheating on me/we don't communicate/trip's stuff/grace's parents/blah blah is really going to add something?Īnd then there is an ending for "Yes" and one for "No". What you've been saying, about marriage/trip/grace/communication/love/blah. I noticed that the combination of those things defines the ending. You have so many problems i don't even know what to do!Īlso, note that in every game, there is a time near the end where they say about what you've told them. Trip: Me?! What the fuck were you thinking? After they close the door on you, you can hear them saying:
In the end, both were uncomfortable, and akward Grace and mad Trip insisted that everything was fine with their marriage and that i should leave. I flirted and kissed Grace (agreeing about everything and saying she looked good somehow made me able to do that) and told (lots of times) that Trip cheated on her with Maria. This consists of siding with Trip mainly until him and Grace start asking you yes or no questions. This will make him break up with Grace and leave. Have Trip admit to being ashamed of his parents in comparison to Grace's parents. Get Trip to admit to the affair AND get Grace to admit to sleeping with Vince, and they wind up staying together: just like in question 3, except answer "no" to Trip's question.
Get Trip to admit to the affair with Maria and then leave: direct your questions primarily toward Trip along the same lines as number 2 above when he asks if everything is adding up to something, say yes. When Grace asks whether everything you've been asking has been toward some particular purpose, say no, and she'll choose this course of action saying yes will cause her to admit to sleeping with a fellow artist, but she'll still leave. Get Grace to leave: ask Grace a lot of "why" questions and whether she's happy/loves Trip, etc. (Talking about Grace's melons is an easy way to trigger this outcome.) Get kicked out: say enough offensive things or make enough unwanted advances.
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